Signs of Gentrification: House Numbers, Their Color and Design

The cultures of cities have changed with the arrival of more affluent residents. They bring their tastes and lifestyles adding to the diversity of cities. And, according to some online observers, their tastes can be seen even in the numbers on their homes, as well as their color and design. For example, the term “gentrification font” emerged as a meme a few years ago when someone posted a photo of a house number on a slatted wooden fence wryly calling it “gentrification font.” The typeface and simple, straight lines of the numbers were instantly recognizable to many who noticed them on homes in their neighborhoods. These house numbers have a similar sans serif font, a typeface suggesting a simpler, low key modern look.

Sans serif font refers to numbers or letters that do not have added strokes or lines for decorative effect. The simple, straight lines of this number reflect the sans serif font.

Another example of the preference for the simple, modern look of sans serif font.

Blood-red doors often accompany the sans serif house numbers.

In contrast to sans serif numbers, those with serif fonts are more decorative with added lines and curves.

These numbers, with their curves and horizontal line in the middle of the 7 along with the decorative downstroke at the top of it. , exemplify the serif font.

Another example of serif font with a downstroke at the top of the “7” and the added base line at the bottom.

This serif font has an oval shaped O in contrast to sans serif font which favors a circular shaped O.

Gentrification font, which can range from Avenir to Futura to Century Gothic, can be found on apartment houses and businesses as well. In contrast to Times New Roman and Comic Sans, these fonts are seen as simpler, conveying a modern,minimalist design.

An example of the simpler, modern minimalist look. of sans serif font.

Shake Shack’s lettering is an example of sans serif typeface. It’s on all its buildings, menus and bags. Shake Shack’s particular typeface is an important part of its brand and image. Choosing the right font is also important to the identity of many other businesses as well as city governments. What kind of font does Jersey City favor?

Shake Shack’s sans serif font was originally chosen because it fit well with the lean look and sharp angles of the store’s first kiosk in Madison Square Park in Manhattan.

Another aspect of the gentrification aesthetic, according to some, is the “gentrification railing” – the sleek, black metal railing lining the steps of many homes. This was joyfully captured in a meme by another online amateur urban anthropologist.

This black railing reflects the understated, clean lines and modernist look many homeowners seek.

The exterior color of homes has also been noted by some observers as another indicator of the aesthetics of gentrification. “Gentrification gray ” has been coined to highlight the color preference of many homeowners in gentrifying areas of cities. It is often a mix of gray and black colors in non-glossy flat tones so as not to appear ostentatious and to maintain a minimalist appearance.

Many of the exteriors of these homes are covered with a mix of synthetic materials. Many also appear to have what looks like an updated version of vinyl siding, once reviled by the upper middle class.

The gray-black look can also be seen on the exteriors of many mid-rise luxury housing apartment buildings. Its prevalence is off-putting to many. According to one critic: “I walk the neighborhood every day and I see all these gray houses. It’s like being in a cemetery.” Another associates them with, “army barracks, computers, freeways, cemeteries and prisons.” But she adds: “My guess is that developers are investing in gray with the hopes of luring high-income renters. In the past ten years, certain grays have become synonymous with high-end architecture.”

A boxy gray-black mid-rise that can be found in many other cities in the U.S..

The gray color of these new luxury apartment houses stand in contrast to the older red-bricked, rent-controlled buildings in the city.

The color and architecture of the new luxury housing is one of the most visible signs of change in the city.

Aside from its color, there is a particular size and shape to most luxury housing that has been called, – you guessed it – the “gentrification building.” It refers to the boxy mid-rise apartment houses popping up in cities all over the country. They are a familiar site with their flat windows, and streamlined synthetic siding atop street level retail, commercial and parking spaces.

The standardized look of new mid-rise luxury housing that could be anywhere USA.

The uniform appearance of so many homes and similar taste preferences of many residents may be related to the influence of social media in which we are attuned to the tastes of our peers and social groups. The pandemic may have played a role as well with those fortunate enough to work at home having more time to focus on home improvement. However, the aesthetic critique of the architecture of gentrification may have a deeper meaning. As more than one observer has noted, behind the jabs at the look and feel of gentrified buildings are fears of rising housing costs and displacement. But in focusing on the cultural symbols of gentrification and tastes of the upper middle class, are critics distracted from examining the causes of gentrification and in seeking solutions to the housing crisis?

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